Competition Details

Perkins+Will - 2016 Unbuilt Design Awards Winner

AIA Dallas Divine Detailing Awards

Submit Your Divine Detailing Awards Entry

ELIGIBILITY

  1. Entrant must be an AIA Dallas chapter or AIA Northeast Texas section member and licensed Architect, or a firm comprised of AIA Dallas members and licensed architects.
  2. The primary design must be originated by a local AIA Dallas chapter or AIA Northeast Texas section member. In the case of joint ventures and design collaborations, appropriate credit must be given in the submission regarding the responsibilities of each firm or individuall.
  3. Divine Detailing submissions are independent of Built Design submissions.
    1. If a project has won a Built Design award, it is still eligible to submit for a Divine Detailing award.
    2. The same project can be submitted within the same year: under Built Design following the criteria established for that program, and under Divine Detailing, per the criteria established here.
    3. If submitting for both programs, entrants must pay entry fees for both submissions.
  4. The project was completed after January 1, 2021.

SUBMISSION REQUIREMENTS

While Built Design entries document a complete building, Divine Detailing entries document the more intimate scope of an architectural vignette.

Aspects of an architectural vignette:

  • A space or condition where materials or systems come together.
  • Design intent communicated to builder by a limited group of related drawings.
  • Often, but not always, serves as a decisive condition for a project.

The AIA Dallas Design Awards uses a paperless, electronic submission process.

  1. Each submission must recognize all design firms and individuals involved in the design process.
  2. Each submission must recognize the primary construction partner.
  3. Release Waiver: By submitting an entry, entrants take full responsibility for the accuracy of all information submitted and warrant that all necessary permissions have been obtained from others who may have rights to the work. Entrants further acknowledge that no royalty or compensation is due to anyone, hold AIA Dallas, its sponsors, staff, consultants and members harmless from all liability and grant to AIA Dallas the non-exclusive right to publish, reproduce and distribute copies of the original entry.
  4. Each submittal must contain RGB JPEG slides.
  5. The slides must have an exact height of 2250 pixels and an exact width of 3300 pixels (vertical views also have an exact height of 2250 pixels) – no exceptions.
  6. The maximum number of slides allowed is 6.
  7. The images should be named with a single-digit numerical sequence for viewing by the jury. (i.e. “1.jpg” for the first image, “2.jpg” for the second image, etc.)
  8. Firm and photographer must not be listed on the slides. Entries that violate this requirement are subject to disqualification.
  9. Please consider text size and legibility when composing slides.
  10. Videos cannot be submitted.

Submissions must include the following:

  1. At least one drawing and one photo.

The following are encouraged:

  1. Explanation of context.
  2. Explanation of what the detail is in service of.
  3. Axonometric (or other projection) 3D drawings.
  4. Photos from construction.
  5. Drawings with human scale figures.

NOTE: The first image of the entry slides will be used as the feature image on the project information sheet for the jurors' reference, and as the thumbnail image in the public online gallery.  Take this into consideration when arranging the order of your entry slides.

ENTRY APPLICATION

Each submittal must consist of the following:

  1. Complete all form fields on the AIA Dallas Design Awards submission portal.
    1. Entry title, and location.
    2. Client’s name and address (when applicable).
    3. Names and addresses of the entrant/designer, the consultants, the primary construction partner, and others to receive credit; each entrant is responsible for giving proper credit where joint ventures, firm name changes or former partnerships are involved; disputes regarding credits may result in disqualification.
    4. Date of project substantial completion.
  2. Up to 6 slides.
  3. There is no separate project narrative.  All explanations must be included on slides.

The Design Awards Committee or the jury may make any interpretations that may be necessary to carry out the program’s intent.

ENTRY FEES

The Divine Details Awards entry fee must be submitted at the time of entry. The early bird submission fee is $80, and it is due by Thursday, July 16, 2026 at 11:59 p.m. The fee for entries submitted after that time is $100. No entry fee will be refunded.

DEADLINES 

We will begin accepting entries Monday, June 1, 2026.  Design award submissions are due by 11:59 p.m., Thursday, August 6, 2026. All materials stated above must be submitted at this time. No entries will be accepted after this time. 

Submissions must be entered online: 
Please enter your information, submit your slides and Project Information Sheet through the Design Awards portal. 

AWARDS

Jurors award the following honors for Built Design Award entries:

  • Divine Detailing Award: The highest level of recognition, presented to exceptional entries that demonstrate excellence in concept, execution, and innovation.
  • Merit Award: Recognition of strong, well-executed work that reflects clear intent, thoughtful resolution, and a high standard of design, including responsiveness to program, site, and client needs. Applicable to all categories.
  • Honorable Mention: Acknowledgment of projects that, while not receiving a primary award, were considered by the jury to be notably strong and deserving of special recognition. Applicable to all categories.
  • Jury Citation: Distinctions awarded at the jury’s discretion to recognize a specific idea, detail, or approach that stands out—such as innovation, material exploration, sustainability, affordability, or emerging voices. Applicable to all categories.

QUESTIONS?

Feel free to contact AIA Dallas (214.742.3242) or the Design Awards Committee Leadership:
2026 Chair: Laura Baggett, AIA| laura@ljbstudio.me
2026 Vice Chair:  Yu Xin, AIA | YuXin@beckarchitecture.com

Divine Detailing Awards Jurors

José Vargas-Hidalgo

José Vargas-Hidalgo

Professor and Researcher at the University of Costa Rica

José Vargas-Hidalgo is an architect, urban designer, educator, and researcher whose work operates at the intersection of drawing practices, ecology, infrastructure, and urban transformation. He holds a Master in Architecture in Urban Design (MAUD) from the Harvard University Graduate School of Design and is currently a professor and researcher at the University of Costa Rica.

His professional experience includes work with internationally recognized practices such as Foster + Partners in New York and London, Morphosis Architects and RoTo Architects in Los Angeles, and the Renzo Piano Building Workshop in Paris. Across these experiences, he contributed to projects of varying scales and complexities, developing a particular interest in multidisciplinary design processes, urban systems, and the relationship between architecture, landscape, and place.

José also collaborated with the Michael Sorkin Studio in New York and was part of the team behind House as a Garden, recipient of the Holcim Gold Award for North America, recognized for its innovative integration of environmental thinking, construction methodologies, and social impact.

He is Co-Director of Project for a Regional Landscape and Architecture (P.P.A.R.), an interdisciplinary practice working across architecture, landscape architecture, and urban design. He is also a founding co-proponent and Urban Design Director of the Rutas Naturbanas Foundation, a nationally recognized initiative advancing ecological restoration, public space, and active mobility through a network of river corridors in the Greater Metropolitan Area of San José, Costa Rica.

His teaching, research, and professional work focus on how design can engage contemporary environmental challenges through the integration of infrastructure, ecology, and civic space, with particular attention to the evolving relationships between urbanization, ecology, and modes of representation.

Rocio Crosetto Brizzio

Rocio Crosetto Brizzio

Co-Founder of Balsa Crosetto Piazzi

Rocio Crosetto Brizzio is an Argentinian architect and educator, and co-founder of Balsa Crosetto Piazzi, an award-winning practice based in Córdoba, Argentina, and Boston, US.

Balsa Crosetto Piazzi works across commissions, public competitions, research, writing, and curatorial work. Their practice is defined by precise geometries and contextual sensitivity, with attention to the networks of materials, people, ecologies and knowledge that shape architecture.

Crosetto is currently the Pietro Belluschi Fellow at MIT Architecture. She has previously taught at Columbia University, Syracuse University, IUAV Venice, Universidad Nacional de Córdoba, Universidad Nacional de Asunción, and Universidad Andrés Bello.

Her academic work examines collective forms of construction, focusing on vernacular, popular, and Indigenous techniques in rural settlements across Argentina as material expressions of situated knowledge, collective organization, political agency, and aesthetic form.

Rocio received the League Prize for Young Architects + Designers 2025 from the Architectural League of New York, the 2026 Design Vanguard Award from the Architectural Record and was shortlisted for the Lisbon Architecture Triennale Début Award. Balsa Crosetto Piazzi’s work has been exhibited at the Venice Biennale, the Iberoamerican Biennial, the Latin American Biennial, among others.

Recent awarded and built projects include The House with a Tilted Roof, House and Quincho in Bialet, The Long House, Rural Restrooms and Traces, a pavilion at the 2025 Chicago Architecture Biennial. 

Crosetto holds a degree in Architecture from the Universidad Nacional de Córdoba in Argentina and a Master’s Degree in Advanced Architectural Design from Columbia University, where she received the Dean’s Scholarship, the William Ware Prize for Excellence in Design, and the Saul Kaplan Fellowship.

Andrew Schachman

Andrew Schachman

Co-Founder and Co-Director of Behar X Schachman

Andrew Schachman, Director of Strategy and Design, is a curator, designer, artist, critic and educator, and the co-founder and co-director of Behar X Schachman.  After 20 years of architectural practice, Andrew co-founded and co-directs two non-profit organizations dedicated to research and the production of new models for art and design - exploring relationships between art, community, architecture, infrastructure, and public institutions: Floating Museum and Fieldwork Collaborative Projects.  As an artist his work has been exhibited at the Art Institute of Chicago and the Hyde Park Art Center.  As a curator and exhibition designer he was the Artistic Co-director for the 5th edition of the Chicago Architecture Biennial titled This is a Rehearsal, the designer for Singing Stones, a site-specific exhibition by the Palais de Tokyo, and curator and designer of public art installations for Chicago's O'Hare International Airport.  Andrew is a Lecturer in Urban Design in the University of Chicago’s Department of Art History.  Born in New Jersey, Andrew received his undergraduate degree in Cultural Anthropology from the University of Chicago and received his Masters of Architecture from the University of Illinois at Chicago. Prior to establishing his own practice, Andrew designed and managed projects for Doug Garofalo, Carol Ross Barney, Perkins + Will, and The Office of Zaha Hadid.