AIA Dallas Built Design Awards

ELIGIBILITY

  1. Entrant must be an AIA Dallas chapter or AIA Northeast Texas section member and licensed architect or a firm comprised of AIA Dallas members and licensed architects.
  2. The primary design must be originated by a local AIA Dallas chapter or AIA Northeast Texas section member. In the case of joint ventures and design collaborations, appropriate credit must be given in the submission regarding the responsibilities of each firm or individual.
  3. The entry cannot previously have been a winner in the category for which it is being submitted. For example, awarded Unbuilt projects could be submitted for a Built Design Award but cannot be resubmitted to Unbuilt.
  4. The project was completed after January 1, 2020.

SUBMISSION REQUIREMENTS

The AIA Dallas Design Awards program is seeking entries responsive to beauty, poetry, context and previous condition, inspiration, process, environmental and social impact, economy and consumption.

The AIA Dallas Design Awards uses a paperless, electronic submission process.

  1. Each submission must recognize all firms and individuals involved in the design process.
  2. Release Waiver: By submitting an entry, entrants take full responsibility for the accuracy of all information submitted and warrant that all necessary permissions have been obtained from others who may have rights to the work. Entrants further acknowledge that no royalty or compensation is due to anyone, hold AIA Dallas, its sponsors, staff, consultants and members harmless from all liability and grant to AIA Dallas the non-exclusive right to publish, reproduce and distribute copies of the original entry.
  3. Each submittal must contain RGB JPEG slides (including RGB JPEG text and RGB JPEG plan files).
  4. The slides must have an exact height of 2250 pixels and an exact width of 3300 pixels (vertical views also have an exact height of 2250 pixels) – no exceptions.
  5. The maximum number of slides allowed is 12. The Common App "Spider" graph must be displayed on the second to last slide of the submission. The ensure legibility, the spider graphic should be no smaller than one ninth of the image area (approximately 1000 x 800 pixels). The graphic can fill the whole screen if desired.  It can be black on a white background, or a contrasting color placed over an uncluttered portion of a project photo.
  6. The images should be named with a double-digit numerical sequence for viewing by the jury. Slides will also be on display in sequential order at the awards venue gallery. (i.e. “01.jpg” for the first image, “02.jpg” for the second image, etc.)
  7. Firm and photographer must not be listed on the slides. Entries that violate this requirement are subject to disqualification.
  8. Please consider text size and legibility when composing slides.
  9. Videos cannot be submitted.

Submissions must include the following:

  1. Slides must include a site plan and/or floor plan, and any additional drawings to give the jury a thorough and comprehensive understanding of the entry (in the form of JPEG files).

NOTE: Entrants are no longer required to submit a project information sheet PDF.  This will be generated automatically from your online submission.  The first image of the entry slides will be used as the feature image on the project information sheet for the jurors' reference.  Please consider that when arranging the order of your entry slides.

ENTRY APPLICATION

Each submittal must consist of the following:

  1. Complete all form fields on the AIA Dallas Design Awards submission portal
    1. Entry title, location, and size
    2. Client’s name and address (when applicable)
    3. Names and addresses of the entrant/designer, the consultants, and others to receive credit; each entrant is responsible for giving proper credit where joint ventures, firm name changes or former partnerships are involved; disputes regarding credits may result in disqualification
    4. Date of design completion
  2. Up to 12 slides of project
  3. Complete the Project Narrative

The Design Awards Committee or the jury may make any interpretations that may be necessary to carry out the program’s intent.

ENTRY FEES

The Built entry fee must be submitted at the time of entry. The early bird submission fee is $180, and it is due by Friday, July 18, 2025 at 11:59 p.m. The fee for entries submitted after that time is $200. No entry fee will be refunded.

DEADLINES

We will begin accepting entries Monday, June 2, 2025.  Design award submissions are due by 11:59 p.m., Thursday, August 7, 2025. All materials stated above must be submitted at this time. No entries will be accepted after this time.

Submissions must be entered online: 
Please enter your information, submit your slides and Project Information Sheet through the Design Awards portal. 

QUESTIONS?

Feel free to contact AIA Dallas (214.742.3242) or the Design Awards Committee Leadership:
2025 Chair: Cassidy Jones, AIA | cassidy.Jones@smithgroup.com
2025 Vice Chair:  Laura Baggett | laura@ljbstudio.me

Built Design Awards Jurors

Judith Sheine

Judith Sheine

Professor, Department of Architecture, University of Oregon, Director of Design, TallWood Design Institute

Judith Sheine is a Professor in the Department of Architecture at the University of Oregon (UO) and is the Director of Design for the TallWood Design Institute, a collaboration between the University of Oregon’s College of Design and Oregon State University’s Colleges of Forestry and Engineering focused on advancing engineered wood products. Sheine was the UO lead for the EDA BBBRC award (2022-27) to the Oregon Mass Timber Coalition and is the PI on the (2023-25) NSF Engines Development Award: Advancing mass timber technologies (OR, WA). She served as UO Department of Architecture Head 2012-17, was Professor and Chair of the Architecture Department at California State Polytechnic University, Pomona 2002-2012, and is an Association of Collegiate Schools of Architecture Distinguished Professor.

She has published several books on the architect R.M. Schindler; she co-edited, with Lionel March, R.M. Schindler: Composition and Construction (Academy Editions, 1993) and authored “R.M. Schindler: Works and Projects” (Editorial Gustavo Gili, 1998) and R.M. Schindler (Phaidon Press, 2001). Her most recent book, Schindler, Kings Road and Southern California Modernism (University of California Press, 2012) was co-authored with Robert Sweeney. She is also a practicing architect and has won several prizes in design competitions and a Record House award from Architectural Record (1995) for the Sarli house. More recently, the Ramirez house (2004-12) in The Sea Ranch, California, designed with architect Norman Millar, has been published in several venues, including Dwell (2014) and The Local Project (2023).

Steven Ehrlich, FAIA

Steven Ehrlich, FAIA

Design Principal at Ehrlich Architects

Steven Ehrlich, Ehrlich Architects' Design Principal, learned early on the significance of how architecture responds to the culture and the environment - a self-proclaimed “architectural anthropologist”. Upon graduating from Rensselaer Polytechnic Institute with a Bachelor of Science and a Bachelor of Architecture, Ehrlich spent six years living and working in Africa, serving for two years with the Peace Corps as their first architect in Marrakech, Morocco. He later traveled across the Sahara and taught architecture at Ahmadu Bello University in Nigeria. The lessons of indigenous building were instrumental in forming Ehrlich’s approach to design and continue to influence the firm’s work today.

Committed to educational and professional development, Ehrlich has taught at USC, UCLA and Sci Arch and has been a guest critic at Harvard, Arizona State University and Yale. He has lectured widely at universities and symposiums in Asia, Europe, South America, Australia and the U.S. and also sits on various awards juries across the country. Steven served on the AIA Los Angeles Board of Directors from 2008-2010 and sits on the Governor’s Board at OTIS School of Design.


Committed to educational and professional development, Ehrlich has taught at USC, UCLA and Sci Arch and has been a guest critic at Harvard, Arizona State University and Yale. He has lectured widely at universities and symposiums in Asia, Europe, South America, Australia and the U.S. and also sits on various awards juries across the country. Steven served on the AIA Los Angeles Board of Directors from 2008-2010 and sits on the Governor’s Board at OTIS School of Design.

Wendy Evans Joseph, FAIA

Wendy Evans Joseph, FAIA

Principal at Studio Joseph

Wendy Evans Joseph founded Studio Joseph in 1998. She sets the design for each of the firm’s projects and is involved with her clients and the progress of the work throughout the entire building process from concept to occupancy. Under Wendy’s leadership, Studio Joseph has focused its work on a diverse array of institutional, educational, and cultural projects with a strong emphasis on public and community involvement. Her passion for the arts has led to museum-related work for public spaces and exhibition installations.

Wendy holds a BA, summa cum laude, from the University of Pennsylvania. She completed her Master in Architecture, with distinction, winning the AIA Medal from Harvard University. She is a Fellow of the American Institute of Architects, an Academician of the National Academy of Design, and a recipient of the Rome Prize from the American Academy in Rome.

Ms. Joseph has a strong history of professional leadership in local and national arenas and presents the studio’s work frequently at museum’s, conferences, and universities. She was Chairman of the AIA National Committee on Design and President of the New York Chapter of the AIA. She was president of the Architectural League of New York, and continues as a board member. Wendy is President of the National Academy of Design and a board member of City as Living Laboratory. She sits on the boards of Second Stage Theatre and American Ballet Theatre.

Before founding Studio Joseph, Wendy worked with Pei Cobb Freed & Partners for over a decade. She had a distinguished career as a designer for public and cultural projects, including The United States Holocaust Memorial Museum and the Boston Federal Courthouse.